Large-Scale, Site-Specific Installation Explores the Ever-Changing Natural Environment of the City of New Orleans
Katie Holten: Drawn to the Edge On View June 15- September 9, 2012
New Orleans, LA – For the second annual installment of the Great Hall Project series at the New Orleans Museum of Art, artist Katie Holten will map the ever-evolving boundaries or “edges” between land and water in Southern Louisiana through a group of large-scale drawings.
The installation, on view from June 15-September 9, 2012, will be suspended from NOMA’s Great Hall ceiling, translating the two-dimensional drawings into a three-dimensional sculpture. Visitors will be invited to take new paths to enter the museum as they walk beneath, through, and around the drawings, creating a new interactive experience in the space. Katie Holten: Drawn to the Edge was commissioned specifically for the series, which provides contemporary artists with an opportunity to develop new site-specific work that is inspired by New Orleans’ landscape, culture, and history.
“The Great Hall Project series was designed to foster a dialogue between artists, the museum, and the community about contemporary art and New Orleans as a source of creative inspiration,” said NOMA Director Susan Taylor. “Our collaboration with Katie Holten brings a fresh perspective to this conversation through the exploration of the rapidly changing New Orleans landscape. Her transformation of our Great Hall invites visitors to consider our city’s natural surroundings and their significance to our daily lives.”
Over the last decade, Holten has established an interdisciplinary practice that merges research and drawing to produce poetic and ephemeral works that speak to the human relationship to nature. Drawn to the Edge is rooted in her investigations of the expanding ways that we inhabit and experience our environment.
The installation drawings, which measure as large as 12×36 feet and use a 1:1 mapping ratio, will address the impossibility of representing the constantly shifting environment. Made from sediment and water collected from the banks of the Mississippi River, the drawings will trace the shifting paths of land formation and disappearance much like a time-lapse film.
“The issue of time plays a significant role in Holten’s work, and in the Great Hall we gather a sense of urgency from her drawings,” said Miranda Lash, Curator of Modern and Contemporary Art. “The fragility of Louisiana’s dissolving coast is contrasted with images of deep space. As one landscape rapidly erodes and another continues ad infinitum, we are forced to reflect on our role as humans in making such a lasting impact on our environment.”
Earlier this year, Holten participated in a six-week research residency at A Studio in the Woods (ASITW) in New Orleans, during which time she studied the city’s infrastructure, focusing specifically on the intersection of architecture and ecology. Holten’s Great Hall installation is based on these investigations as well as the city’s relationship to the Mississippi River.
“The land is literally disappearing in Louisiana. Since the 1920s oil and gas companies have been dredging access canals and the salt water has steadily moved in, claiming thousands of acres of land every year,” Holten said. “The disaster is exacerbated by a web of interconnected geological and man-made processes. During my residency at ASITW, I had a palpable sense of the tragedy unfolding. Some experts predict that within 50 years there will be no land south of Baton Rouge. The land is riddled with water, creating islands within islands.”
The presentation will also include vitrines that showcase a collection of small sculptural works constructed from materials found by Holten on walks around City Park and the streets of New Orleans during her residency.
Holten will provide a public lecture about her project at NOMA on June 15, 2012, at 6 p.m. in Stern Auditorium. This lecture is supported in part by an award from the National Endowment for the Arts.
Drawn to the Edge is made possible thanks to generous support from Merritt and Elly Lane and The haudenschildGarage Foundation. This exhibition is also supported in part by a grant from the Louisiana Division of the Arts, Office of Cultural Development, Department of Culture, Recreation & Tourism, in cooperation with the Louisiana State Arts Council, and the National Endowment for the Arts, a Federal agency. Holten is also collaborating with local documentary filmmaker and writer Rebecca Snedeker on a water map of New Orleans for Rebecca Solnit’s book, Unfathomable City: A New Orleans Atlas (UC Press, 2013)-the follow up to her acclaimed book, Infinite City: A San Francisco Atlas.
About Katie Holten:
Katie Holten is an Irish-born, New York-based artist whose work explores the inextricable relationship between humans and the natural world. She uses drawing, sculpture, printed matter, and found objects such as plants, water, and cardboard to create pieces that examine the human desire to understand and control nature. Her work often focuses on conflicts between ecology and politics, and invites people to reevaluate their relation to their surroundings.
In addition to her new commission for the New Orleans Museum of Art, she recently created new work for the Storm King Art Center in New York, and for the Southeastern Center for Contemporary Art in North Carolina. Her solo exhibition at the FUTURA Center for Contemporary Art in Prague, Czech Republic will open later this year.
In 2009, Holten was commissioned by The Bronx Museum of the Arts, Wave Hill: New York Public Garden and Cultural Center, and the NYC Department of Parks & Recreation to create Tree Museum, a public artwork celebrating the centennial of the Grand Concourse in Bronx, NY. Holten represented Ireland at the Venice Biennale in 2003 and has had solo exhibitions at the Contemporary Art Museum St. Louis and Nevada Museum of Art, among other museums and cultural institutions in the United States and Europe.
She was awarded a Fulbright Scholarship for study at Cornell University (2004-2006), earned her B.A. in the History of Art and Fine Art at the National College of Art and Design in Dublin (1998), and received an Erasmus Scholarship to study at the Hochschule der Künste in Berlin (1997).
Wednesdays are FREE for all museum visitors. Adults, $10; Seniors (65 and up) and Students, $8; Children 7-17, $6; Children 6 and under, free. Free Wednesdays are made possible through the generosity of The Helis Foundation.
About NOMA and the Besthoff Sculpture Garden:
The New Orleans Museum of Art, founded in 1910 by Isaac Delgado, houses over 35,000 art objects encompassing 4,000 years of world art. Works from the permanent collection, along with continuously changing temporary exhibitions, are on view in the Museum’s 46 galleries Fridays from 10 a.m. to 9 p.m. and Tuesdays to Sundays from 10 a.m. to 5 p.m. The adjacent Sydney and Walda Besthoff Sculpture Garden features work by 62 artists, including several of the 20th century’s master sculptors. The Sculpture Garden is open seven days a week from 10 a.m. until 5 p.m. except for Fridays when it’s open until 8:45 p.m. The New Orleans Museum of Art and the Besthoff Sculpture Garden are fully accessible to handicapped visitors and wheelchairs are available from the front desk. For more information about NOMA, call (504) 658-4100 or visit www.noma.org.